I have always had a love affair with the Academy Awards but at the end of 2010 I realized how few of the Best Picture winners I’d actually seen. So I made it a goal to see all [then] 83 winners and write my thoughts about them along the way. (I even re-watched the ones I'd already seen so I could write a fresh post.)

That was the initial inspiration behind this blog... I wanted to document my thoughts as well as start a potential conversation or at least ask some thought-provoking questions. Why did it win? Should another movie have won instead? Has it become a beloved classic or do many of you not even recognize the title? For each film, I post the original movie poster, a brief synopsis, the films it was up against, my favorite scene(s), and any lessons I learned.

I have since completed the challenge and have seen all of the Academy's Best Picture winners. (For my collective thoughts at the end of the challenge, including lists of my favorites and least favorites, check out this post.) I keep this blog up-to-date by coming back each year to post my thoughts on the recent winner. I still invite you, my friends and guests, to comment along with me. Do you agree/disagree?

And the Oscar goes to…

Sunday, November 13, 2011

The Godfather, 1972










Rated R

This movie is straight up gansta. Directed by Francis Ford Coppola, (whose winery in Sonoma is amazing by the way), this landmark film about the Italian mafia family of New York was the highest grossing film of its time. (I didn’t know that it was a modern take on Shakespeare’s King Lear.) It is a story of crime, power, corruption, honor, and justice in the 1940’s.

Marlon Brando plays Don Vito Corleone, the patriarch of the crime family/“the Godfather”, superbly. His cheeks are as famous as he is in this film; supposedly, he stuffed his gums with cotton balls in order for his character to appear like a “bulldog” and then had a custom mouthpiece made for the filming. There are five other crime families in New York and “The Don” finds himself and his family in a bit of trouble when they refuse to operate a drug trade with the other families.


Al Pacino (also superb) plays Vito’s son Michael who does not want to get involved in the family business. At the beginning of the film, after telling his girlfriend Kay a quick story about the way his family does business, Michael reassures her, “That’s my family Kay… that’s not me”. However, after his father’s attempted murder(s), at the end of the film, Michael himself, is responsible for many murders and is being “crowned” the new Don of the family, the new Godfather… cue “The Godfather Part II”.

A few times I found it hard to keep track of who’s who especially when the other five mafia families from around the country get involved. There were too many names and deaths. But I did follow the story better this time than when my husband first showed it to me eight years ago. I had to look up the term “guinea” which was being thrown around quite a bit in the film. Apparently, for Italians, it is the equivalent of the n-word for African Americans.

“The Godfather” is at the top of every list of must-see classics. It’s a part of pop culture and references are everywhere. For that alone, I recommend this film… but I also think it’s worth it. The film is home for some of the most unforgettable movie lines. For instance…
- “He sleeps with the fishes.” …which means he’s dead
- “I’ll make him an offer he can’t refuse.” …which means he’s going to bribe/force somebody to do something in an illegal and/or dangerous way
- “Go to the mattresses.” …which means prepare for battle/all-out war (I don’t know why it means that, but I’m suddenly remembering that it is referenced by Tom Hanks in “You’ve Got Mail”.)

“The Godfather” was up against “Cabaret” with the am-AH-zing Liza Minnelli, “The Emigrants”, “Deliverance”, and “Sounder” (which I remember to be a children’s novel). “Cabaret” and “The Godfather” were tied with ten nominations each. Interestingly, “Cabaret” received eight awards, while “The Godfather” walked away with only three! One of which was Best Actor, but Marlon Brando refused to accept it; he was boycotting on behalf of American Indian Rights and sent an activist to read a speech in his place. Also worthy of noting: the Best Music (Original Dramatic Score) nomination was revoked when it was discovered that the composer’s score had already been used in other films!! Apparently, he wrote some of the music for a comedy in 1958 when it was played brisk and staccato, very different from when it was replayed for “The Godfather”.

FAVORITE SCENE:

One of the most suspenseful scenes is when Michael meets a couple crooked cops at a restaurant in order to straighten things out, but really wants revenge. Most of their dinner conversation is in Italian and is NOT subtitled, so it’s frustrating not knowing what’s being said. You don’t know if Michael has the guts to go through with it and if he does, will he get caught?


LESSONS LEARNED:

Be a man/woman of your word. The Godfather certainly respected and demanded honesty and trust. If you don’t make promises you can’t keep, you won’t get into trouble.

Don’t let your emotions get the best of you. It’s easy to take some things personally, even when they may not be intended that way. Stay calm and take a minute to think before you respond out of anger, jealousy, hurt, etc.

And another famous line… “Leave the gun… Take the cannoli.” Sometimes you gotta leave work alone and take time to enjoy life’s finer things. J

1 comment:

  1. Great review. I love that you brought out some of the history, like the meaning of words and the Oscar scandals. I have seen this once a while ago but really think I need to see it again.

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