Rated R
I admit I was hesitant to watch
this film. I am a born-and-raised Catholic and am proud of my faith. I am
certainly not proud of the atrocities that have happened under the shroud of
this religion. I had a fear this film would Hollywood-ize these tragic events
and end up making blanket statements that ‘Catholicism is corrupt’ or ‘most
priests are pedophiles.’ “Spotlight” did not do that, in its defense, but I
can’t help but wonder how many more people were turned off to religion because
of it, and that saddens me.
The journalistic team behind Spotlight, a side circulation of the
Boston Globe, is responsible for focusing on and bringing to light major
stories, and in 2001, they dig up a doosie. What is first an investigation into
a few child abuse cases within the local Catholic Diocese, snowballs into a
major scandal that involves a shocking 80+ cases and reveals that these priests
were not punished, but rather just relocated to different churches or dioceses.
It’s a sickening revelation. Boston has a very large population of Catholics,
many of whom we realize have been affected in some way by abuse but have been
too afraid to come forward. We learn the Church capitalized on this fear, paid
out-of-court settlements when needed, and simply rerouted the offenders rather
than jailing them and seeking therapy. The movie follows the team as they
discover more and more cases and speak to more and more victims. The end of the
film lists the names of the dioceses across the US that were/are under question
(although the list is not complete) after this sparked a nation-wide
investigation.
Another disconcerting piece of
this scandal though is that the Boston Globe had been sitting on information
given to them by previous victims for many years before this was sufficiently
given the attention it deserved. Boxes of evidence were shelved in the basement
because somebody dismissed it as speculation or insubstantial. Later victims
could have been saved if this had been brought to light sooner. Yet another
upsetting part of all this, is the small group of lawyers who represented the Church,
settling for pittances in order to basically shut the victims and their
families up. So. Many. Disastrous. Mistakes.
Overall, I think the film was
well done but don’t think it deserved this top award for the year. I can’t help
but wonder if the Academy felt pressured to vote for it because it would make a
political and social statement in doing so. The proper media didn’t give it the
deserved attention when it was appropriate, and perhaps they felt they could
now. The film almost felt like a made-for-TV movie or a documentary… I feel
that a Best Picture winner should represent the very best we had to offer in a
year, taking the viewing audience on a journey and reaching a range of emotions
doing so. I don’t think I’m alone in this thinking, as it turned out to be the
second lowest-grossing film to win this award (behind “The Hurt Locker” from
2009).
“Spotlight” also won Best Original
Screenplay and had four other nominations. It was up against seven other movies
for BP: “The Big Short”, “Bridge of Spies”, “Brooklyn”, “Mad Max: Fury Road”,
“The Martian”, “Room”, and the one most deserving of Best Picture IMHO, “The
Revenant.” I saw “The Martian” in the
theatre on date night and was pretty impressed. When the hubs was first telling
me about the movie, it sounded so extreme but realistic, and in my late pregnancy-brain
haze, I asked, “Wow, true story?” Face palm. I will say though, if we had been to Mars and left a man behind,
that movie shows exactly what would have happened- it all looked very
plausible. I also recently saw “The Big Short” which was considered a top
contender for this award. I’m not entirely sure it should’ve been though. Aside
from it being a very interesting/distressing/true story, it didn’t have that
certain je ne sais quois to win. (It could be the fact that I felt like it was
really a foreign language film… sadly, that vernacular and certain intelligence
is not compatible with my brain.) “The Revenant”, on the other hand- holy
mother of intensity! I saw a preview for that movie when we saw “The Martian”
and I immediately thought, no way man.
If I could get an anxiety attack from the preview alone, there was no way I
could handle the whole movie, even IF my main squeeze Leo is in it. After
“Spotlight” won, I figured I couldn’t accurately judge whether it was the
deserving winner or not unless I watched the film everyone thought was a
shoo-in for the award. So, I forced myself to watch it. On a small screen. With
a crappy sound system. There’s no doubt in my mind that it deserved to win Best
Picture. It’s just the type of film that encapsulates that achievement in
cinema. From the nail-biting storyline and passion of the actors to the
award-winning cinematography and breathtaking beauty of the rugged landscape-
it is an overall pretty phenomenal film.
MEMORABLE SCENE:
Spotlight’s Team Leader, Peter
Canellos, said something that hit me hard: “They say it's just physical
abuse but it's more than that, this was spiritual abuse. You know why I went
along with everything? Because priests are supposed to be the good guys”. He’s
absolutely correct and that’s what’s so tragic. Along with the physical and
mental abuse as a direct result of these acts, the victim is also being given a
very distorted and false depiction of a spiritual mentor. The victimized will naturally come to question and likely
renounce their faith if the very person who’s supposed to be trusted is the one
taking advantage of them. I worked for a year as a second grade teacher at a
Catholic school in a suburb of Chicago where I witnessed the closure of several
schools in the Archdiocese as a result of declining enrollment. One of the
reasons: people were just too afraid to send their children to an educational
institution run by the Church.
LESSONS LEARNED:
Don’t ignore someone’s pleas
for help or dismiss them as insignificant.
Bringing attention to
something so monumental takes patience and a whole lot of guts. The journalists worked long, hard hours making sense of
clues and notes, researching, and interviewing both victims and offenders all
in order to attempt to right a very big wrong.